1 Comment to “Design: The Art of Withholding Information”

  1. Ahruman

    Mar 9th, 2009

    Of the Volvo: the which-side-the-knob-affects thing on the screen is pointless because, as you said, the lights on the knob are there and more useful. I also can’t help noticing that Volvo’s information designers felt it was very important to know the direction to the “tuning sound” knob from any point on the console.

    The first thing I noticed about the Pioneer example is that the text at the top is completely illegible. If you need to stare at it for several minutes to work out what it says, the importance of the content is really a moot point. I’m still not sure where you’re seeing the artist and track name.

    As for blinkenlights on computers, I like the approach of the first-gen iMac G5 (the one where the inside was actually accessible and modular): there are four diagnostic lights with geeky information, which I’ve successfully used to diagnose problems, but they’re on the inside where they don’t distract.

    As for your Music Rescue example, I really cannot fathom why the title and artist of the track currently being copied would be of any interest whatsoever. It is completely irrelevant to the issue of presenting copying progress. I’d also suggest not having two ellipses on the same sheet, especially for sentences that basically say the same thing; simply removing the first one (Copying Music is a title, it doesn’t need punctuation) or both would make it look cleaner.


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